Sri Gita Govinda Mahakavyam - Sri Jayadeva Ashtapadi – 16 - Lyrics and meanings

|| Jai Sriman Narayana ||

The poet describes, “Oh! Sakhi, I suppose he is merciless, why he did not come to you? What was your fault? He must be in the association of young maidens of Vraja and he must be taking immense pleasure in the passionate sport with them, I am completely overwhelmed by his attractiveness and virtues, I am longing for the association of him, my intellect goes behind him.  Oh! Sakhi, Vanamali has the eyes resembles blue lilies, even the branches of trees bearing fresh leaves would yearn for his presence, Oh! Sakhi, Vanamali has an attractive face resembles to fully blossomed lotus flower; his face is besieged by the cupid arrows of Manmatha, Oh! Sakhi,  Vanamali speak in sweet nectar-like words, even the scorching heat of Malaya breeze will not do any harm,  Oh! Sakhi, Vanamali has soft and supple feet that are cool and lustrous, it will not flutter in the chillness of moon,  Oh! Sakhi, Vanamali excels the beauty of fresh rain clouds, therefore the heaviness of heart due to pain of separation will do no harm.  Oh! Sakhi, Vanamali is attired in a marvelous garment that has the luster of gold; he will not strike at the laugh of his own people/followers, Oh! Sakhi, Vanamali is the protector of the living beings in the Universe and he is the provider of an abundance of boons to them, he is too compassionate.”  The above are the glorious verses of Sri Jayadeva which describes the endless virtues of Hari.  “Kindly bring Madhava for a moment, he is the delight to my heart, smeared in sandal paste and has lustrous blue complexion, afterward take away my life.  Oh! Sakhi, the association of dearest companions makes me feels in the middle of enemies, even the cool breeze or moon rays does not provide any solace and makes me feel like encircled by poison, waiting for the arrival of Little Krishna inflicts intense pain in my heart, just like any beautiful young maidens of Vraja who have attractive eyes resembles lotus flower undergoes the cupid arrows of Manmatha, Oh! Panchabana/ cupid arrows of Manmatha resemble fresh cool rays of Malaya are capable to take out my life; you can have my life afterward, Oh! Krithanthabhagini/Kalindhi who has beautiful waves kindly drench my limbs in your water and pacifies the thirst of my limbs. Oh! Achyutha who is the attired in magnificent yellow silk garment, has the lustrous blue complexion, Radharani was mystified at his appearance, they laughed and performed various amusements along with the attractive young maidens of Vraja, she was timid, her eyes were restless, they blissfully enjoyed the amorous sport with the Nandhathmaja/dearest son of Nandha who is the provider of happiness to the Universe/Jagadhanandha.”

Nayatha: Sakhi Nirdhayo Yadhi Shadasthvam Dhoothi Kim Dhooyase | Swacchandham  Bahuvallabha: Sa Ramathe  Kim Thathra  The Dhooshanam | Pashyadhya Priya  Sangamaya  Dhayithasya  Krishyamanam Gunair | Uthkandarthibharath Iva Spudath Idham Chetha: Swayam  Yasyathi ||

Anila Tharala Kuvalaya Nayanena | Thapathi Na Sa Kisalaya Shayanena ||

Sakhi Ya Ramitha  Vanamalina ||

Vikasitha  Sarasija  Lalitha  Mukhena | Spudathi Na Sa Manasija  Vishikhena ||

Amritha Madhura  Mridhuthara  Vachanena | Jwalathi Na Sa  Malayaka  Pavanena ||

Sthala Jalaruha  Ruchikara  Charanena | Ludathi Na Sa  Himakara  Kiranena ||

Sajala Jaladha  Samudhaya  Ruchirena | Dhahathi Na Sa  Hridhi  Viraha Dhavena ||

Kanaka  Nikasha  Ruchi Shuchi Vasanena | Shvasithi  Na Sa  Parijana  Hasenana ||

Sakala Bhuvana  Jana Vara  Tharunena | Vahathi  Na Sa  Rujamathi Karunena ||

Sri Jayadeva  Banitha  Vachanena | Pravishathu Harirapi Hridhayam  Anena ||

Mano Bhavana Nandhana  Chandananila  Praseedha  Re Rakshina Muncha  Vamatham | Kshanam Jagath Prana Vidhaya Madhavam  Puro Mama Pranaharo Bhavishyasi ||

Ripuriva  Sakhi Samvasoyam Shikheeva Himanilo  Vishamiva  Sudha Rashmir Asmin Indhunothi Manogathe | Hridhayamadhaye  Thasminnavam Punarvalathe Balath  Kuvalaya Dhrisham Vama: Kamo Nikama  Nirangusha: ||

Badham Vidhehi Malayanila Panchabana  Pranan Grihana Na Griham Punarashrayishye | Kim The  Krithantha Bhagini Kshamaya Tharangai:  Angani Sincha  Mama Shamyathu Dhehadhaha: ||

Prathar Neela  Nicholam Achyutham  Ura: Samveetha  Peethamshukam | Radhayashchakitham Vilokhya Hasathi Swairam Sakhimandle | Vreeda  Chanchalamanchalam Nayanayo  Radhaya  Radhanane  Sadhusmaira Mukhoyamasthu Jagathanandhaya  Nandhathmaja: ||

|| Ithi Sri Gita Govindhe Shringara Mahakavye  Srikrishnadasa Jayadeva Krithau  Vipra Labdha  Varannane  Nagara Narayanarna Sapthama Sarga: ||

|| Jai Sriman Narayana ||

Sri Narmada Sahasranama Sthothram – Lyrics and meanings 1 - 10

|| Jai Sriman Narayana ||

I shall meditate upon Goddess Narmada who is venerable, she is originated from Mountain peak, she is the Goddess of prominent cities, she is surrounded by Mountains, she is born from the illustrious clan of Mountain, she confluences with various sacred rivers, she is Nandha/symbolizes happiness and prosperity, she is mounted on celestial bull, she is eulogized by Kings and emperors, her sacred waters are dwelling places of giant aquatic animals, she is fond of pleasing conversations, she destroys worldly desires of the worshiper, she is the Goddess of living beings, she eradicates fears of death, she destroyed demon Narakasura, she rides on the giant alligator, she is fond of humans, she is supreme goddess who augment the happiness and prosperity of living beings, she symbolizes sky and giant aquatic animals, she is mountain born, she is fond of dances, she is highly honored by Nandikeshvara, she lures the heart of Nandikesha, she is Narayani, she is young maiden of mountain born, she is immersed in the meditation of Lord Narayana, she is young maiden who has the stature of serpent, she is  darling of serpents, she has the gait of serpent, she is fond of Sriphala/coconut and banana/fruits that are available in all seasons, her sacred waters are the dwelling place of all kinds of aquatic animals and helmsman, she has no specific form and she does not require any support for existence, she does not have any desire, she is pure, she symbolizes eternal bliss, she is devoid of emotions, she is safest haven to people who are surrendered to her, she is eternal , she is devoid of passion, she is pure and innocent, she is unblemished, she is embodied as Earth, she is compassionate to the depraved people, she is pure and her sacred waters provides virtues to the worshiper, she is stunningly beautiful with attractive waist lines and teeth, she destroys the poverty of the worshiper, she is devoid of emotions, she works as ladder to the depraved people, she provides steadfastness, virtues and youthfulness. 

Narmada Namaneeya Cha  Nagojya Nagareshvari | Nagamalavritha Thada Nagendhrodhara Samsritha ||

Nadhishasangatha Nandha  Nandhivahana Sannatha | Narendhramalini Navya  Nakrasya  Narmabhashini ||

Naraththighna Nareshani Naranthaka Bhayapaha | Narakasurahanthri Cha  Nakravahana Shobhana ||

Narapriya  Narendhrani Narasaukhya Vivardhini |Nabhoroopa Cha Nakreshi Nagaja  Nadanapriya ||

Nandikeshvara  Sammanya  Nandikeshana Mohini | Narayani Nagakanya  Narayana Parayana ||

Nagasandharini Nari Nagasya Nagavallabha | Nakini Nakagamana Narikela Phalapriya ||

Nadheya Jala Samvasa  Navikairabhisamshritha | Nirakara Niralambha Nireeha  Cha Niranjjana ||

Nithyanandha  Nirvikara  Ni:shanga Nishrayathmika | Nithyaroopa  Ni:spruha  Cha  Nirlobha  Nishkaleshvari ||

Nirllepa  Nishchchala Nithya  Nirdhoothananumodhini | Nirmala  Nirmalagathir  Niramaya  Suvarini ||

Nithambini Cha  Nirdhashta  Nirdhanathva Nivarini | Nirvikara  Nishrayini Nirbhrama  Nirjararthadha ||

|| Jai Sriman Narayana ||

Sri Gita Govinda Mahakavyam - Sri Jayadeva Ashtapadi – 15 - Lyrics and meanings

|| Jai Sriman Narayana ||

The poet describes, “The lotus like lustrous face of Murari is besieged with the pain of separation; he is extremely tormented with the pain and grief, he is completely isolated, oh! Friend, he is completely troubled with the pain of cupid arrows of Manmatha.  Gopala who is well accustomed with the cupid arrows of Manmatha, he is kissing on the lips of gorgeous young maidens, his forehead is decorated with the highly fragrant musk that leaves marks on the faces of young maidens, eventually it creates goosebumps in them, in this way Gopala taking immense pleasure in the amorous sport with the  young maidens of Vraja in the woods on the river banks of Yamuna.  Gopala who has beautiful curly hair locks that resembles to dark clouds appears as dense wood where the deer like cupid arrows of Manmatha/Rathipathi could graze at his own will, flowers decorated on his attractive hair locks gives out the appearance of lightning in the dark clouds.  Gopala leaving the highly fragrant musk while embracing the young maidens with large and high raised bosom, Gopala decked in various precious gem studded ornaments resembles to moon surrounded by multitudes of stars,  it gives out the appearance of Milky Way.  Gopala is decked in precious emerald gem studded bangles on his soft and supple lotus like hand; it spreads out intense luster and cool rays that gives out an appearance of swarm of bees.  Gopala finding immense pleasure in the passionate sport with the young maidens in the creeper home, he is mounted on the golden throne of Lord of Love, he is taking pleasure in the association of young maidens who are decorated in various gem studded ornaments, and decorations in the creeper home and he is immersed in various amusements with the young maidens.  Gopala whose lotus feet are tender as buds, he dwells in the palace of Kamala, he is worshipped by the deities and sages, he dwells as soul in living beings.  Gopala who is the younger brother to Haladhara remains blissfully in the association of young maidens of Vraja, Oh! Sakhi, kindly explain how long I have to bear the pain of separation from him.” The above are the glorious verses composed by the poet Sri Jayadeva who is immersed in the veneration of lotus feet of Gopala, depicts various amusements of Lord Hari and his boundless virtues, it is one of the glorious myth that would eradicate all the miseries and sorrows of Kali era.

Viraha Pandu Murari Mukhambhuja  Dhyuthirayam Thirayannapi Vedhanam | Vidhuratheeva Thanothi Manobhuva:  Suhridhaye  Hridhaye  Madhana Vyadham ||

Samudhitha  Madhane Ramani Vadhane  Chumbana Valithadhare | Mrigamadha  Thilakam  Likhathi Sa Pulakam Mrigamiva  Rajaneekare ||

Ramathe  Yamuna Pulinavane Vijayi Murariradhuna ||

Ghanachaya Ruchire Rachayathi Chikure  Tharalitha  Tharunanane | Kurubaka Kusumam Chapala  Sushamam Rathipathi Mrigakanane ||

Ghadayathi Sughane  Kuchayuga  Gagane  Mrigamadha  Ruchi Rooshithe | Manisaram Amalam  Tharaka Padalam Nakhapadha  Shashi Bhooshithe ||

Jitha Bisashakale  Mridhu Bhuja  Yugale  Karathala  Nalini Dhale | Marakatha Valayam Madhukara Nichayam Vitharathi Hima Sheethale ||

Rathigriha  Jaghane  Vipulapaghane  Manasija  Kanakasane | Manimaya  Rasanam  Thorana Hasanam  Vikirathi Krithavasane ||

Charanakisalaye  Kamala Nilaye  Nakhamani Ganapoojithe | Bahirapa Varanam  Yavaka Bharanam  Janayathi  Hridhi Yojithe ||

Ramayathi Subhrisham  Kamapi Sadhrusham  Gala  Haladhara  Sodhare | Kima Phalamavasam Chiramiha  Virasam Vadha Sakhi Vidapodhare ||

Iha  Rasabhanane Kritha  Hari Gunane  Madhuripu Padhasevake | Kaliyuga  Charitham  Na Vasathu Dhuritham  Kavi Nripa  Jayadevake ||

|| Jai Sriman Narayana ||

Sri Narmada Sahasranama Sthothram – Dhyanam - Lyrics and meanings

|| Jai Sriman Narayana ||

The glorious thousands of sacred names of Goddess Narmada was composed by Rudra Rishi, presiding deity is Sri Narmada, it has Hrim as Beejam, Sri as Shakthi, Swaha as Keelakam, it is recited to please Goddess Narmada.

Rishyadhi Nyasa – I shall prostrate before supreme Lord and assume the presence of  Rudrarishi on head, Viradhuchandhas on face, Sri Narmadha Devatha in my heart, Hreem Beeja on  genitals, Shreem Shakthi on feet, Swaha keelakam on navel, I shall assume the presence  of Goddess Narmada on Sarvanga/all parts of the body, and it is used to recite to please Sri Narmada.

Karanga Nyasa – I shall offer humble salutation to Goddess Narmada with the thumb placing on my heart, I shall offer humble salutation to Goddess Narmada with the fore finger placing on my head, I shall offer humble salutation to Goddess Narmada with the middle finger placing on tuft, I shall offer salutation to Goddess Narmada with the ring finger and assuming it as armor, I shall offer humble salutation to Goddess Narmada with the little finger on eyes,  I shall offer humble salutation to Goddess Narmada with the palm and back portion of palm assuming it as arrow.

I shall meditate upon Goddess Narmada, who is divine and provider of auspiciousness, she has dark complexion, she is youthful, her face has the luster of dark blue clouds, she has the resemblance to lotus flower, her face has the luster of moon, she is decked in various ornaments and garlands, her lotus hands are in Varada/offering boon posture, she symbolizes sacred river, she carries umbrella, she is eulogized by deities, Rishis and sages.   Oh! Hara Narmadhe, who is the source of Hara, she is fond of worship of Haralinga, she worships Haralinga on ashore, and she is the provider of success in endeavors.  The sacred river Goddess Narmada is venerated with the Yanthra or meditation/sacred chants or with the Manasaupachara.

| Om Sri Gurubhyo Nama: | Om Sri Ganeshaya Nama: | Om  Sri Narmadayai Nama: ||

|| Viniyoga: ||

Asya Sri Narmada  Sahasranama Sthothramala Manthrasya  Rudra Rishirviradhchandha: | Sri Narmada Devatha | Hrim Beejam  | Sri Shakthi: | Swaha Keelakam | Sri Narmada Prasadhasidhyarthe Padane  Poojane  Sahasrarchane  Cha Viniyoga: ||

Rishyadhi Nyasa:

Rudrarishaye Nama: | Shirasi | Viradhcchandhasey Nama: | Mukhe | Sri Narmada Devathayai Nama: | Hridhaye | Hrim Beejayai Nama: | Guhye | Sri Shakthaye Nama: | Padhayo: | Swaha Keelakaya Nama: | Nabhau | Sri Narmada Prasadha Siddhyarthe Viniyogaya Nama:  | Sarvange

Karanganyasa:

Om Hrim Sri Narmadhayai Swaha  Ithi  Navarnnamanthrane |   Om Nama: Angushtabhyam Nama: | Hridhayaya Nama: | Hrim Nama:  Tharjjaneebhyam Nama: | Shirase Swaha | Om Nama: Madhyamabhyam Nama: | Shikhayai Vashat |  Narmadhayai Nama:  Anamikabhyam Nama: | Kavachaya Hum | Swaha Nama: Kanishtikabhyam Nama: | Nethrathrayaya Vashat |

Om Hrim Shrim  Narmadhayai Swaha | Karathala Prushtabhyam Nama: | Asthraya Phat | Moolena Thrivyarpakam ||

Dhyanam –

Dhyayeth Sri  Siddhanatham Ganavahasaritham  Narmadham Sharmadhathrim | Shyamam Baleva  Neelambara Mukha Nayana Ambhoja Yugmaikamindhum | Choodhashcchamithimalam  Varajalakarakam Hasthayugme  Dhadhanam | Theerthasyam Chathrahastham Ishtavaranripanam Dheshikasyasanagre ||

Narmadhe Harasambhoothe  Haralingarchana Priye | Haralingarcchitha Thade Jayadham Hara Narmadhe ||

Ithi Dhyathva  Yanthreathava  Pravahe  Manasopacharai: Sampoojya | Nama Sthothra Padakam  Prathyeka  Namamanthrena Poojanam | Va  Samachareth  Yanthraswaroopam Thatha Sri Narmadhayai Nama: ||

|| Jai Sriman Narayana ||

Pratha: Smarana Shiva Sthothram – Lyrics and meanings

|| Jai Sriman Narayana ||

I shall earnestly remember supreme  Lord Shiva who is the Lord of Lords/Suresha  in the early hours of dawn would eradicate all kinds of fears, he is Gangadhara who is decked in sacred river Ganga on his matted hair locks, he has celestial bull as vehicle,  he is inseparable from Goddess Ambika, he carries Gadgam/sword and Shoolam/trident in each hands, and other two hands are in Abhya/gives protection and Varadha/provides boons Hastha postures, he is matchless and supreme medicine for all kinds of illnesses caused by Samsara.  I shall prostrate before supreme Lord Shiva who is the Lord of mountains/Gireesha in the early hours of dawn, he has acquired half of the body of Goddess Girija, he is primeval Lord who is the cause for the origin of the Universe and its living beings, he preserves and causes deluge at the end of Kalpa, he is the Lord of the Universe, he is victorious, he lures the heart and intellect of the whole of the Universe, he is matchless and supreme medicine for all kinds of illnesses caused by Samsara.  I shall meditate upon supreme Lord Shiva in the early hours of dawn, he represents trinities, he is eternal, he is primordial, he is supreme Lord who is the essence of Veda and Vedantha, he is beyond description and devoid of Shadbhava/Jara, Jananam, Maranam etc.. He is matchless and supreme medicine for all kinds of illnesses caused by Samsara.  Whoever reads or listen to the above verses during the early hours of dawn on daily basis, would be relieved from sorrows and sins accumulated in various births, eventually attain the lotus feet of Lord Shambhu.

Pratha: Smarami Bhava Bheethiharam Suresham | Gangadharam Vrushabha Vahanam  Ambikesham | Gadvanga Shoola Varadha Abhaya Hastham Esham | Samsara Rogaharam Oushadham Adhvitheeyam ||

Pratha: Namami Gireesham Girija Ardhadheham | Sarga Sthithi Pralaya Karanam Adidevam | Vishveshvaram Vijitha Vishva Manobhiramam | Samsara Rogaharam Oushadham  Adhvatheeyam||

Pratha: Bhajami Shivam Yekam Ananthamadhyam | Vedantha Vedhyamanagham Purusham  Mahantham | Namadhibedha Rahitham Shad Bhavashoonyam | Samsara Rogaharam Oushadham Adhvatheeyam ||

Pratha Samuyathe Shivam Vichinthya| Shloka Thrayam Ye Anudhinam Padanthi | Yetha  Dhukkajayam Bahujanma Sanchitham | Hithva Padham Yanthi Thadeva Shambho ||

|| Jai Sriman Narayana ||

Sri Gita Govinda Mahakavyam - Sri Jayadeva Ashtapadi – 14 - Lyrics and meanings

|| Jai Sriman Narayana ||

Radharani has become distraught after seeing her close companions returning without Madhava, she suspected that Janardhana must be taking pleasure in the company of fortunate young maidens of Vraja, “  The young maidens who are attired in magnificent garments, long beautiful hairs decked in fresh alluring flower garlands must be taking immense delight in the company of Madhuripu.  These young maidens must be in a state of bliss remaining in the embrace of Hari, eventually their garlands and precious ornaments decorated on the large and high raised bosom must be intertwining during the passionate sport with Madhuripu.  The curly hair locks stretched on the moon-like faces of young maidens of Vraja must be multiplying their loveliness, and they must be tactfully consuming the nectar from the lips of Madhuripu, closing their eyes in a state of bliss.  The magnificent earrings adorned in the ears must be hanging close to their cheeks of the young maidens enhances the loveliness of them and the bell decorated waist belts must be making tinkling noises during the passionate sport.  These beautiful young maidens must be smiling shyly at the attractive glances of beloved Krishna, and they must be making various noises during the passionate sport with Madhuripu.  These beautiful young maidens must be in an extreme state of ecstasy and their body must be quivering in amorous sport and must be completely wrapped up with Madhuripu, and releasing a sigh of liberation.  These beautiful young maidens must be soaked in the droplets of perspiration from the amorous sport with Madhuripu, they must be feeling blissful staying in the embrace of Krishna/Ranadhira.”  The above are the glorious verses composed by Sri Jayadeva, which depicts the amorous sport of Lord Hari, which is capable to eradicate all the evil effects of the Kali era.

Athagatham Madhavam  Antharena  Sakeemiyam Veekshya Vishadha Mookam | Vishankamana  Ramitham  Kayapi Janardhanam  Dhrishtavadhetha  Dhaha ||

Smara  Samarochitha  Virachitha Vesha | Dhalitha Kusumadhara  Vilulitha Kesha ||

Kapi  Madhuripuna  Vilasitha  Yuvathir Adhikaguna  ||

Hari Parirambhana Valitha Vikara | Kucha  Kalashopari Tharalitha Hara ||

Vichaladh Alaka  Lalithanana Chandra | Thadhadhara Pana Rabasa  Kritha Thanthra ||

Chanchala  Kundala Lalitha Kapola  | Mukharitha  Rasana  Jaghana  Gathilola ||

Dhayitha Vilokitha  Lajjitha  Hasitha | Bahuvidha  Koojitha Rathirasa  Rasitha ||

Vipula  Pulaka Prithu Vepadhubanga | Shvasitha  Nimeelitha  Vikasadh Ananga ||

Shramajala Kana Bara  Subhaga  Shareera | Paripathithorasi  Rathiranadheera ||

Sri Jayadeva  Banitham Hariramitham | Kalikalusham Janayathu Parishamitham ||

|| Jai Sriman Narayana ||

Sri Gita Govinda Mahakavyam - Sri Jayadeva Ashtapadi – 13 - Lyrics and meanings

|| Jai Sriman Narayana ||

The cool rays of the moon appeared all through the woods of Vrindavan as soon as the hours of nightfall, all directions are attired in marvelous garments, decorated its beautiful faces smeared in sandal paste with the attractive spot of the moon.  At the arrival cool rays of the moon, Radharani realized the absence of Madhava, it was unbearable for her, she wept bitterly “My flawless beauty and youth has become futile, Hari did not arrive in the woods in the promised hours, I have been deceived by my close companions, where do I seek refuge? I have arrived in the woods during the dark and chill hours of night in search of him, alas! My heart is throbbing with the pain of arrows; I cannot bear the painful blaze of separation any longer, it’s meaningless to stay alive, I have to embrace death, I am unfortunate, Hari must be in the association of young maidens of Vraja during this beautiful nectar-like spring night and those maidens are truly fortunate to attain the fruit of their piousness.  All these bangles and ornaments decorated in my body tortures me like a blaze in the separation from Hari.  The flower garlands decorated on my chest causes intolerable pain of cupid arrows of Manmatha, I am patiently waiting for the arrival of him in the middle of dark woods of cane, Alas! Madhsoodhana does not have any feelings for me.” The above are the glorious verses composed by Sri Jayadeva who is fervent devotee at the lotus feet of Hari, depicts the wretched state of beautiful young Radharani who is delicate and symbol of mystic love dwells in the heart of Hari.  “Krishna is dear to my life, why most celebrated Krishna did not appear in the creeper house? Or is he completely absorbed in the association of young maidens of Vraja? Or is he lost in the darkness of woods? Or Is he completely besieged by the pain of separation and finding it difficult to walk down to the lovely creeper home?”

|| Sapthama Sarga: || Nagara Narayana:

Athranthare  Cha Kulata  Kula  Varthmapatha | Sanjatha  Pathaka Iva  Spuda Lanchana  Sri: | Vrindhavanantharam Adheepayadh Amshujalair | Diksundari Vadhana  Chandhana Bindhurindhu: ||

Prasarathi  Shashadhara  Bimbe  Vihitha Vilambe  Cha Madhave  Vidhura | Virachitha  Vividha Vilapam Sa Parithapam Chakarocchai: ||

Kadhitha Samayepi Harirahaha Na  Yauvanam | Mama Viphalam Idham Amalam Api Roopa Yauvanam ||

Yamihe  Kamiha  Sharanam  Sakhi Jana Vachana  Vanchitha ||

Yadh  Anugamanaya  Nishi  Gahanamapi Sheelitham | Thena Mama Hridhayam Idham  Samashara  Keelitham ||

Mama Maranameva  Varamithi Vithadha  Kethana | Kimahi Vishahami Virahanalam Achethana ||

Mamahaha Vidhurayathi Madhura  Madhuyamini | Kapi Harim Anubhavathi  Kritha Sukritha  Kaminee ||

Ahaha Kalayami Valayadhi Manibhooshanam | Hari Viraha  Dhahana Vahanena  Bahudhooshanam ||

Kusuma Sukumara  Thanumathanu Shara Leelaya | Sthragapi Hridhi Hanthi Mamathi  Vishama Sheelaya ||

Ahamiha  Nivasami  Na Ganitha  Vana Vethasa | Smarathi  Madhusoodhano Mam Api Na Chethasa ||

Haricharana  Sharana Jayadeva  Kavi Bharathi | Vasathu Hridhi Yuvathiriva  Komala Kalavathi ||

Thath Kim  Kamapi Kamineem Abhisritha: Kim Va  Kala Kalebir | Baddho Bandhubhir  Andhakarini  Vanabhyarnne Kimudh Bhramyathi | Kantha: Klanthamana: Managapi Padhi  Prasthathum Yevakshama: | Sankethi  Kritha  Manjuvanjula  Lathakunjjepi Yannagatha: ||

|| Jai Sriman Narayana ||

Sri Pandurangashtakam by Sri Adishankaracharya – Lyrics and meanings

|| Jai Sriman Narayana ||

I shall meditate upon Lord Panduranga who symbolizes Parambhramam, seated on the Mahayoga Peedam/throne of great Yogi, located on the river banks of Bheemarathi, he is the provider of various boons to Pundarika, he is surrounded by the illustrious Rishis and sages, he is the source of eternal bliss.  I shall meditate upon Lord Panduranga who symbolizes Parambhramam, he is attired in marvelous  blue garment which has the luster of lightning in the dark clouds, he dwells in the palace of Goddess of Mahalakshmi/Rama, he is charismatic, he is absolute consciousness, he is supreme Lord standing by placing his lotus feet on the brick. I shall meditate upon Lord Panduranga who symbolizes Parambhramam, he is the proof of my worldly existence standing by holding his waist with both the hands, and he is the source of Vidhatha and his navel is dwelling place of Vidhatha/Lord Bhrama. I shall meditate upon Lord Panduranga who symbolizes Parambhramam, his neck is decorated with the precious gem Kausthubha, he is decked in marvelous Keyooram and bracelets, he carries Goddess Sri Mahalakshmi on his chest, he symbolizes auspiciousness and serenity, he is the provider of abundance of boons to worshiper and he is the protector of Universe and its living beings. I shall meditate upon Lord Panduranga who symbolizes Parambhramam, he has the luster of autumn moon and he has beautiful smile on his face, he is decked in marvelous earrings that spreads intense luster on the cheeks and neck area, his red and attractive lips has the appearance of Bimba fruits and his beautiful eyes has the resemblance to blue lotus flower. I shall meditate upon Lord Panduranga who symbolizes Parambhramam, he is decked in magnificent crown that spreads extreme luster in all directions, he is worshiped by deities and venerated with various precious gems, he has beautiful and slight bent on three parts of body, and he is adorned in feathers of peacock and flower garlands. I shall meditate upon Lord Panduranga who symbolizes Parambhramam, he is all pervading, he is the Lord of Venu who plays melodious music on flute, he is primeval and eternal, he has incarnated as cowherd at his own will, he augmented the happiness of cowherds of Vraja, and he has beautiful smile. I shall meditate upon Lord Panduranga who symbolizes Parambhramam, he is Aja who has no birth, he is the dearest darling of Rukmini, he dwells in supreme abode Srivaikundham/Paramdhama, which is the superior abode of eternal bliss, he is ever pleasing, he is the Lord of Lords who eradicates all the miseries and sorrows of the worshiper.  The above are the glorious verses praising the splendor of Lord Panduranga which is highly propitious, whoever reads or listen to the above verses on daily basis with utmost devotion and faith would safely cross the unfathomable ocean of Samsara, eventually attain the abode of Lord Hari.

Mahayoga Peede Thade Bheemarathya Varam Pundarikaya Dhathum Muneedhrai: | Samagathya  Thishtantham Anandha Kandham Parambhrama Lingam Bhaje Pandurangam ||

Thadidhvasasam Neelameghavabhasam  Ramamandhiram Sundaram Chith Prakasham |Varam  Thvishtakayam Samanyasthapadham  Parambhrama Lingam Bhaje Pandurangam ||

Pramanam Bhavabdheridham Mamakanam  Nithambha: Karabhyam Dhritho Yena Thasmath |Vidhathurvasathyai Dhritho Nabhikosha:  Parambhrama Lingam Bhaje Pandurangam ||

Spurath Kausthubhalankritham Kandadheshe  Shriya  Jushta Keyoorakam Srinivasam | Shivam Shanthameedyam Varam Lokapalam Parambhrama Lingam Bhaje Pandurangam ||

Sharathchandhra Bimbananam Charuhasam Lasath Kundalakrantha Gandasthalangam | Japaraga Bimbadharam Kanjjanethram Parambhrama Lingam Bhaje Pandurangam ||

Kireedojjvala Sarva Dhikpranthabhagam  Surair Architham Dhivya  Rathnairanarghyai: | Thribangakrithim Barhamalyavathamsam Parambhrama Lingam Bhaje Pandurangam ||

Vibhum Venunadham Charantham Dhurantham  Swayam Leelaya Gopavesham Dhadhanam | Gavam Vrindhakanandhadham Charuhasam Parambhrama Lingam Bhaje Pandurangam ||

Ajam Rukmini Prana Sajjeevanam Tham Paramdhama Kaivalyamekam Thureeyam | Prasannam  Parapannarthiham Devadevam  Parambhrama Lingam Bhaje Pandurangam ||

Sthavam Pandurangasya  Vai Punyadham  Ye  Padanthyeka  Chiththena  Bhakthya Cha Nithyam | Bhavambonidhim Thepi  Theerthvanthakale  Harer Alayam Shashvatham Prapnuvanthi ||

||  Ithi Sri Pandurangashtakam Sampoornnam ||

|| Jai Sriman Narayana ||

Sandhya Vandhanam & Its significance

|| Jai Sriman Narayana ||

Sandhya is converging point of night & early hours of dawn, morning & afternoon and evening & night/early hours of dusk.  Sandhya Vandhanam is a ritual performed during the above mentioned three most propitious hours of a day, practice of worship of Lord Surya during the above mentioned periods of time is called Sandhya Vandhanam.  Sandhya is three particular period of time of a day known as early hours of dawn, noon and evening.  There are six important activities involved in the practice of Sandhya Vandhanam such as Achamaneeyam, Pranayamam, Sankalpam, Arkhyapradhanam, recitation of Gayathri hymns and Upasthanam.  Achamaneeyam is recitation of sacred hymn such as Acchuthaya Nama: Ananthaya Nama: Govindaya Nama: with the pure water.  Pranayama is the practice of releasing the lungful of air methodically which we have already consumed, holding the nose with the thumb finger and taking lungful of air  and releasing the air meticulously through the  nose by holding the other nose with the ring finger.  Sankalpam is the process of offering salutation to the hour of performance of Sandhyavandhanam.  Arkhyapradhana means offering of pure water to supreme Lord Surya and deities, and Pithrus/ancestors, followed by sacred chants.  It is one of most significant process in the performance of Sandhyavandhanam, it is believed that thirty thousand and millions of valorous and dreadful demons Mantheha will be waiting to swallow Lord Surya during the hours of Sandhya.  Therefore deities, Rishis and Sages performs Arkhyapradhanam during the hours of Sandhya in order to protect Lord Surya from the vicious demons, it is also believed that the water poured as Arkhya will transform into fierce weapons made of Vajra/diamond, and this would protect Lord Surya from the threat of the demons, therefore Bhramins on the Earth also follow the same practice.  Sandhyavandhanam is performed by people who had their Upanayanam/Bhramopadhesha/ sacred thread ritual, it is usually performed by Bhramin, Vaniya, potters and Kshathriya, but recitation of Gayathri is destined to Bhramins.  Children while performance of Bhramopadhesha offer salutations to their parents assuming them as Goddess Saraswathi and Lord Bhrama respectively, offers water on their feet, meditates upon Lord Bhrama and Goddess Saraswathi, there after receives the sacred hymns of Gayathri in their ears.  The recitation of sacred Gayathri hymns provides the meritorious reward of recitation of four Vedas.  The sacred hymns of Gayathri consists 24 sacred syllables, consists of 24 Rishis, Agni and deities, it has 24 Chandhas, 24 philosophies, and 24 Shakthis.  Gayathri hymns should be recited systematically 108 or 54 or 27 times.  It should be recited meticulously and it should be recited in heart.  Karmas are classified into three such as  Nithya Karma/it is known as daily obligatory duties, Naimithika/it is occasional obligatory duties, and Kamya Karma/rites performed to fulfill desires.  Sandhya Vandhanam  falls into the category of Nithya Karma and it is daily obligatory duty, Kamya Karma is not at all necessary to follow, but abandoning Nithya Karma/Sandhyavandhanam is treated as greatest sin and the person who does not follow this rite is considered as impure/sinner.  A person who does not follow the ritual of Sandhyavandhanam is considered as impure and he will automatically lose the right to perform any of the spiritual or ceremonial rite, or fire sacrifices, and it is definite that he will not benefit any of the meritorious reward of the spiritual deeds.  It is evident that attainment of knowledge of Bhramam and pleasure of senses/satisfaction/contentment are very important aspect in human life.  Person who does not follow Vedic way of life or Adhyayanam or Upasana will not be considered as ‘Dvija’/twice born/child born from mother’s womb take re-birth at the time of performance of sacred thread ceremony.  Person who strictly follows the rite of Sandhyavandhanam gets purified from the sins committed by words, thoughts and deeds.

|| Jai Sriman Narayana ||

Sri Gita Govinda Mahakavyam - Sri Jayadeva Ashtapadi – 12 - Lyrics and meanings

|| Jai Sriman Narayana ||

Radharani was sitting in the house-made of creepers; she was all exhausted to proceed further, though she was sincerely devoted to Krishna, Radharani's dearest companion describes her wretched state to Govinda “  Oh! Natha, Oh! Hare, kindly protect Radharani who is besieged with the pain of separation, she is taking refuge in solitude; she is desirously waiting to drink the nectar from your lips, your dearest companion Radharani is besieged with sorrow, she is making all efforts to move and stumbles down, she had made elaborate preparations, her the prime objective is to perform the amorous sport with you, she has attained a supreme state of devotion, ultimately she had obtained eternal union with you, eventually, she considers herself as Madhuripu.  She repeatedly enquiring her close companion that why Hari did not come to meet?  During the hours of darkness, she envisions that Hari has arrived and embraces him and kisses the cloud-like form of Krishna, when she realizes that it was not real, she cries out loudly without any shyness.  The above are the glorious verses of Sri Jayadeva, let it provide all kinds of happiness to the people who take immense pleasure in the passionate sport of Radha Krishna.  Oh! Krishna, Radharani who has the eyes of antelope, she is undergoing intense pain of separation, she is completely besieged by the cupid arrows of Manmatha, her body is quivering with an intense desire for amorous sport with you, she is immersed in your thoughts, her voices are trailing, eventually she meditates upon you.  Radharani has decorated herself with various ornaments, and she is zealously waiting for your arrival, she is arranging the bed of creepers and envision your presence, she is completely immersed in the thoughts of passionate sport with you, it is impossible for her to live without you  Oh! Natha, Oh! Hare.  Oh! Krishna, while I was taking rest under the Bandira tree, she enquired Oh! Bhrathara/brother, why don’t you go to the palace of Nanda which is visible from here? Govinda praised the cowherd who conveyed messages of Radharani.

|| Shashta: Sarga: || Dhrushta Vaikunda:

Adha Tham  Ganthum Ashaktham Chiram Anuraktham Lathagrihe  Dhrushta | Thaccharitham Govindhe  Manasija Mandhe  Sakhi Praha ||

|| Pashyathi  Dhishi Dhishi Rahasi Bhavantham ||

Pashyathi Dhishi Dhishi Rahasi  Bhavantham | Thadhadhara Madhuram Adhooni Pibantham || Nadha Hare  Seedhathi  Radha  Vasagrihe ||

Thvadh  Abhisarana  Rabhasena  Valanthi | Pathathi Padhani Kiyanthi Chalanthi ||

Vihitha Vishadha  Bisa Kisalaya  Valaya | Jeevathi  Param Iha  Thava Rathiklaya ||

Muhuravalokitha  Mandanaleela | Madhuripu Raham Ithi  Bhavanasheela ||

Thvaritham  Upaithi  Na Kadham  Abhisaram | Haririthi  Vadhathi  Sakhim Anuvaram ||

Shlishyathi  Chumbathi  Jaladhara Kalpam | Harirupagatha  Ithi Thimiram  Analpam ||

Bhavathi  Vilambini  Vigalitha Lajja | Vilapitha  Rodhathi  Vasakasajja ||

Sri Jayadeva  Kaveridham  Udhitham | Rasikajanam Thanutham  Athi Mudhitham ||

Vipula  Pulaka Pali: Speetha  Seethkaramantha | Ranjitha  Jadimakaku Vyakulam  Vyaharanthi | Thava Kithava  Vidhayamandha  Kandharppa Chintham | Rasajaladhi  Nimagna  Dhyanalagna  Mrigakshi ||

Angeshvabaranam  Karothi  Bahusha: Pathrepi Sancharini | Praptham  Thvam  Parishakthena  Shayyam  Chiram Dhyayathi | Ithyakalpa  Vikalpa  Thalpa Rachana  Sankalpa  Leelashatha | Vyasakthapi  Vina Thvaya  Varathanurnaisha  Nisham  Neshyathi ||

Kim Vishramayasi Krishna Bhogibhavane  Bandeera  Bhoomiruhe | Bhratharyasi  Na Dhrishigochara Mitha: Sanandha  Nandhaspadham | Radhaya Vachanam  Thdhvadhga Mungan Nandhanthike Gopatho | Govindhasya  Jayanthi  Sayamathidhi Prashasthyagarbha Gira: ||

|| Ithi Sri Gita Govindhe Shringara Mahakavye  Sri Krishnadasa Jayadeva Krithau  Sothkantha  Vaikuntha Nama Shashta Sarga: ||

|| Jai Sriman Narayana ||

Bhaja Govindam by Sri Adishankaracharya – Lyrics and meanings

|| Jai Sriman Narayana ||

Oh! Ignorant, meditate upon Govinda !  Worship upon lotus feet of Govinda ! Knowledge about the rules of Grammar will not save you at the time of death, Oh! Ignorant, leave your hunger for accumulation of wealth, nurture supreme knowledge and wisdom in your mind,  keep your mind satisfied and happy with the fruit of Karma, don’t get drowned with excessive lust  in the beauty of women’s bosom and navel, these are just allocation of flesh, therefore do not let your mind think about it again and again.  Life of human is mysterious, it is uncertain like the dew drops on the lotus leaves; it is painful and sorrowful, perforating with illnesses, arrogance and grief.  As long as healthy you can support your family and be in the warmth of others, once the body get weak and deteriorated due to old age no one will be around you. As long as the soul remains inside the body, there will be people around you to enquire your well being, once the soul/Vayu/Prana departs from the body, even your wife will ran off from the sight of corpse.  Most of the childhood periods are spend in amusements; most of the adulthood periods are spend in inclination towards young maidens, most of the old age periods are spend in acute pain and sorrow, Alas! Only a few wants to get lost in the thoughts of Parambhramam.  Samsara/Life is mysterious, who is your wife? Who is your child? Where did you come from? Oh! Brother, think over the way of life.  Sathsang/association with the people of Sathvik/virtuous/righteous nature will benefit with Nissangathvam/detachment, the state of detachment will lead to the state of free from desire/illusion,  Nirmohathvam/free from illusion and desire will lead to serenity/Nishchalathathvam, ultimately it will take you to liberation from repeated births.  What is the use of desire for passionate sport when there is no youth?  What is the use of a pond where there is no water? Where are your close relatives when wealth is disappeared? Who is aware of the truth of Samsara ? Do not get bloated with your wealth, your beloved people, and your youth which will get destroyed in seconds, whole of the world is covered in illusion, therefore get yourself free from the illusion and attain the knowledge of supreme Bhramam.  All these daylight and darkness, day and night, winter and spring will come and go; in the same manner our life span also will get reduced, alas! Our storm of desires never ends.  Oh! Ignorant, why are you absorbed in the thought of accumulation of wealth? Is there no one to guide you? There is only one safest ferry which can help you from the unfathomable ocean of Samsara in the three worlds, therefore hurry up yourself to join in the safest ferry of Sajjanasangam/association with virtuous people.  There are people walk with matted hair locks, clean shaven head, clothed in saffron robes and in various appearances for livelihood,  even though after witnessing the reality they remains ignorant.  During the period of old age, body gets weaken and shrunken along with various changes appears, like baldness and absence of teeth, eventually practices to walk with the stick, Alas! Still all are heavily bounded to the worldly desires.  There lies  man who warm up in front of fire and Sun at the back, at night he curls up the body tightly in order to keep out of the cold, he consume meals that are offered as alms, still he is not relieved from the passion.  Several people go for holy dip in sacred waters of Ganga, some people may observe strict austerities, some people may offer alms and charities, Alas! If there is no wisdom and knowledge, it is impossible to attain liberation/Mukthi even after hundreds of births, therefore take shelter in the shrine or under the tree, sleep on the ground, sacrifice all those comforts and luxuries, follow the path of renunciation and undertake strict religious discipline, Is that devoid of contentment? People may find pleasure in Yoga/Yogic practices or Bhoga/amusement, some may remain detached or detached, but person who has the knowledge of Bhramam remains in eternal bliss.  Person who had recited a few verses of Bhagavad Gita, or person who have consumed a few drops of sacred waters of Ganga, or person who had immersed in the worship of Murari, definitely will not have the need to converse with Yama.   Oh! Murare, kindly protect us, we have been in the process of birth and death again and again, in this way we have been to mother’s womb again and again, and we have been into the world of Samsara which is insurmountable.   The supreme ascetic who is attired in shabby clothes, freed from pious as well as impure deeds, he is immersed in the union with the supreme Lord and lives in a state of eternal bliss like a child.  Who am I? Where did I come from? Who are my mother and father? These are meaningless to think and abandon the world as a dream.  Lord Vishnu dwells as soul in all the living beings, anger and impatience are meaningless, possessing equanimity and oneness in all leads to attainment of status of supreme Lord.  Do not try to differentiate people as enemies, companion, children, and relatives and this kind of analysis are futile, and follow the sense of oneness in all.  Discard your Kama/ lust and desires, Krodha/anger, Lobham/greed, and Moham/desire/delusion, familiarize with your real nature and attain knowledge of self and Athman/soul, ignorant who have no knowledge of self and supreme soul end up in hell and undergoes hellish torture for long.  Therefore, recite sacred scripture Gita and thousands of sacred names of Lord and meditate upon the magnificent form of Sripathi, remain in the association of righteous and virtuous people, distribute your wealth as charity among needy and poor people.  The person who chase for sensual pleasure eventually will end up with various illnesses, and wait for death, Alas! But never give up the sinful deeds.  Wealth does not bring permanent happiness, definitely there is no happiness in it, and it creates sense of insecurity, rich man will have threat from his own children, this is the nature of wealth.  Therefore, practice Pranayama/practice to control breath, Prathyahara/ renunciation, precise knowledge of permanent and impermanent, recitation of scriptures and intense meditation.  Person who is sincerely devoted to the lotus feet of Preceptor, would be relieved from the world of Samsara, with the practice of strict austerities and perfect control over senses you can experience the presence of supreme Lord in your heart.

Bhaja Govindam Bhaja Govindam Govindam Bhaja Moodamathe | Samprapthe Sannihithe Kale  Na Hi Na Hi Rakshathi Dukrinjjkarane ||

Mooda  Jaheehi Dhanagama  Thrishnam  Kuru Sadh Buddhim Manasi Vithrishnam | Yallabase  Nija Karmopaththam Viththam  Thena  Vinodhaya Chiththam ||

Nari Sthanabhara  Nabhidhesham  Dhrushtvamaga Mohavesham | Yethanmamsavasadhi  Vikaram  Manasi Vichinthaya  Varam Varam ||

Nalinidhalagatha  Jalamathi  Tharalam  Thadhvajeevitham Athishaya Chapalam | Viddhi  Vyadhyabhimana Grastham  Lokam Shokahatham  Cha Samastham ||

Yavadhviththoparjjana  Saktha: Thavan Nija Parivaro  Raktha: | Pashchath Jeevathi Jarjjara Dhehe  Varththam  Kopina  Pricchathi Gehe ||

Yavath Pavano Nivasathi  Dhehe  Thavath Pricchathi  Kushalam Gehe | Gathavathi  Vayau Dhehapaye  Bharyya Bhibhyathi Thasminkaye ||

Balasthavath Kreedasaktha:  Tharunasthavath Tharuni Saktha: | Vriddhasthavath  Chintha Saktha: Parame  Bhramani Ko Pina Saktha: ||

Ka The Kantha  Kasthe Puthra: Samsaroyam Atheeva  Vichithra: | Kasya Thvam  Ka; Kutha  Ayatha: Thathvam  Chinthaya  Thadhiha  Bhratha: ||

Sathsangathve  Nissangathvam  Nissangathve  Nirmohathvam | Nirmohathve  Nishchala Thathvam  Nishchala Thathve Jeevanmukthi: ||

Vayasi Gathe Ka: Kamavikara:  Shushke  Neere Ka: Kasara: | Ksheene Vitththe Ka: Parivara: | Jjyathe Thathve Ka: Samsara: ||

Ma Kuru Dhana Jana  Yauvana Garvam  Harathi  Nimeshath  Kala: Sarvam | Maya Mayitham Akhilam  Budhva  Bhramapadham  Thvam Pravisha  Vidhithva ||

Dhinayaminyau Sayam Pratha: Shishira Vasanthau  Punarayatha: | Kala: Kreedathi  Gacchathyau:  Thadhapi Na Muncchathyashavayu: ||

Ka The Kantha  Dhanagatha  Chintha  Vathula  Kim Thava  Nasthi Niyantha | Thrijagathi  Sajjana  Sangathireka  Bhavathi  Bhavarnnava Tharane  Nauka ||

Jadilo Mundi Lunchithakesha: Kashayambara Bahukritha Vesha: | Pashyannapichana  Pashyathi Moodo Hydhara Nimiththam  Bahukritha Vesha: ||

Angam Galitham Palitham Mundam Dhashana Viheenam  Jatham  Thundam | Vriddho Yathi Griheethva  Dhandam  Thadhapi Na  Muncchathyasha  Pindam ||

Agre Vahni: Prishte Bhanu Rathrau Chubuka Samarppitha Janu: | Karathala Bhikshastharuthala Vasa:  Thadhapi Na Muncchathyasha  Pasha: ||

Kuruthe Ganga  Sagara Gamanam Vrathaparipalanam Adhava Dhanam | Jjyana Viheena : Sarvamathena  Mukthim  Na Bhajathi Janmashathena ||

Sura Mandira  Tharu Moola Nivasa : Shayya  Bhoothalam Ajinam Vasa: | Sarva Parigraha  Bhoga Thyaga:  Kasya Sugam  Na Karothi  Viraga: ||

Yogaratho Va Bhogaratho Va Sangaratho Va Sangaviheena: | Yasya Bhramani Ramathe Chiththam  Nandhathi Nandhathi  Nandhathyeva ||

Bhagavad Gita Kinchithadheetha  Ganga Jalalava Kanikapeetha | Sakridhapi Yena  Murari Samarccha Kriyathe  Thasya Yamena  Na Charccha ||

 Punarapi Jananam Punarapi Maranam  Punarapi Janani Jadare Shayanam | Iha Samsare Bahudhusthare Kripaya Pare  Pahimurare ||

Radhya Charppada Virachitha Kandha:  Punapunya Vivarjjitha Pandha: | Yogi  Yoganiyojitha  Chiththo Ramathe  Balonmaththavadeva ||

Kasthvam  Koham Kutha Ayatha:  Ka Me  Janani Ko Me  Thatha : | Ithi Paribhavaya  Sarvamasaram  Vishvam Thyaktha Swapna Vicharam ||

Thvayi Mayi Chanya Thraiko Vishnu: Vyarththam Kupyasi Mayya Sahishnu: | Bhava  Samachiththa: Sarvathra Thvam Vanchasyachiradhyadhi Vishnuthvam ||

Shathrau Mithre  Puthre  Bandhau Ma Kuru Yathnam  Vigrahasandhau | Sarvasminnapi Pashyathmanam Sarvathrothasrijya Bhedhajjyanam ||

Kamam Krodham Lobham Moham Thyakthvathmanam Bhavaya Ko Ham| Athma Gnana Viheena Mooda : The  Pachyanthe  Naraka Nigooda: ||

Geyam Gita  Nama Sahasram Dhyeyam  Sripathi Roopam Ajasram | Neyam  Sajjana  Sange Chiththam  Dheyam Dheena Janaya  Cha Viththam ||

Sukhatha: Kriyathe  Ramabhoga:  Pashchandhdhantha Shareere Roga: | Yadhyapi Loke Maranam Sharanam  Thadhapi  Na Munchathi  Papacharanam ||

Artham Ananrtham Bhavaya Nithyam  Nasthi Thatha: Sugalesha: Sathyam |Puthradhapi Dhana Bhajam Bheethi:  Sarvathraisha Vihitha  Reethi: ||

Pranayamam Prathyaharam Nithyanithya Vivekavicharam | Japyasametha  Samadhividhanam  Kurvavadhanam Mahadhavadhanam ||

Gurucharanambuja Nirbhara Bhaktha: Samsaradha Chiradh Bhava Muktha: | Sendhriya Manasa  Niyamadevam  Dhrakshyasi Nija  Hridhayastham Devam  ||

|| Jai Sriman Narayana ||