Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings

|| Jai Sriman Narayana ||

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 1 -11

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 12 – 20

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad_27.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 21 -30

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad_28.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 31 – 40

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad_45.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 41 – 50

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad_49.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 51 – 60

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad_29.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 61 – 70

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad_19.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 71 – 80

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad_21.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 81 -90

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad_30.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 91 – 100

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad_72.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 101 – 110

https://sthothramala.blogspot.ae/2016/11/sri-ganga-sahasranama-sthothram-bhrihad_8.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 111 -120

https://sthothramala.blogspot.ae/2016/12/sri-ganga-sahasranama-sthothram-bhrihad.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 121 – 130

https://sthothramala.blogspot.ae/2016/12/sri-ganga-sahasranama-sthothram-bhrihad_1.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 131 – 140

https://sthothramala.blogspot.ae/2016/12/sri-ganga-sahasranama-sthothram-bhrihad_9.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings

141 – 150

https://sthothramala.blogspot.ae/2016/12/sri-ganga-sahasranama-sthothram-bhrihad_2.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings

151 – 160

https://sthothramala.blogspot.ae/2016/12/sri-ganga-sahasranama-sthothram-bhrihad_54.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam – Lyrics and Meanings 161 – 171

https://sthothramala.blogspot.ae/2016/12/sri-ganga-sahasranama-sthothram-bhrihad_63.html

Sri Ganga Sahasranama Sthothram – Bhrihath Dharmapuranam –  Phalashruthi - Lyrics and Meanings 172 – 183

https://sthothramala.blogspot.ae/2016/12/sri-ganga-sahasranama-sthothram-bhrihad_3.html

|| Jai Sriman Narayana ||

Sri Ganga Sahasranama Sthothram - Bhrihad Dharmapurana – Phalashruthi: Lyrics and meanings 172– 183

|| Jai Sriman Narayana ||

|| Phalashruthi : ||

Sri Shuka concludes “ The above are  thousands of sacred hymns of Goddess Ganga was eulogized by Bhageeratha, it is highly propitious and it provides numerous meritorious rewards and success in all endeavors, whoever reads or listens to these thousands of sacred names of supreme Goddess Ganga with utmost faith and devotion would attain all kinds of prosperities and happiness in double fold, Goddess Ganga is capable to provide Sarvarththa/Dharma, Arththa, Kama and Moksha, she is Jaishta who is most celebrated, capable to eradicate ten types of severe sins and she is worshiped by Lord Sadashiva,  she has ascended down to Earth in order to wipe out miseries of the souls, and her thousands of sacred names are capable to provide happiness to the distressed people, and reciting or listening to thousands of sacred names of Goddess Ganga will provide her eternal presence in the houses of the worshiper for Samvathsara, whoever recites or listens to these sacred hymns during the auspicious occasions like festivals related to child, marriages, shraddha/performance of homage to ancestors, day of birth, etc.. worshiper would be relieved from Karma, ultimately attains liberation from repeated birth, worshiper who yearn for wealth would be blessed with abundance of wealth, unmarried would get appropriate companion, childless couples would attain virtuous off springs, and it is relevant to Chathurvarnna too /Brahmins, Kshathriya, Vaishya and Shudra, it is highly propitious to be recited on the day of Yugadhya/anniversary, Poornima, Ravisangrama, during hours of dusk, day of new moon in the month Pushya, propitious days of Lord Vishnu, day of Amavasya or any auspicious day , being in the group of wise and intellectuals, or in the sacred land of Vraja or in the sacred land of cattle, it should be read or listen from the Bhramin.  Goddess Ganga was highly pleased to Maharaja Bhageeratha, after listening to thousands of sacred of hymns, she was highly delighted to witness the devotion and dedication of Maharaja Bhageeratha’s severe penance, and eventually she offered various boons to King Bhageeratha.”

Devi speaks “ Oh! Bhoopala, I am appeared before you to offer boons, and you can ask for the boon you have desired.”

 Maharaja Bhageeratha speaks “ Oh! Vishnupadhi, who is descended down to Earth from the lotus feet of Lord Vishnu, kindly elevate all my ancestors into the celestial abode, Oh! Bhavathi, secondly, whoever recites or listens to your glorious thousands of sacred names should not be abandoned by you.”

Devi replied “  Oh! Maharajan, I will be widely known as Bhageerathi, Oh! Nrupa, whoever reads or listens to the above sacred hymns which was composed by you, would attain the state of Nirvana/renunciation, ultimately freed from the repeated births, Oh! Rajan, kindly venerate Lord Shiva to accommodate me and give me the highest of the status to dwell on his matted hair locks, otherwise I would remain powerless to descend down on Earth, because Prithvi is incapable to bear the powerful water current of mine that originates from the highest peaks of Mount Sumeru which is capable to penetrate millions of Bhramanda,”

Shuka Uvacha –

 Imam Sahasranamakhyam Bhageerathakritham  Pura | Bhagavathya  Hi Gangaya  Mahapunyam Jayapradha ||

Ya:  Padeth Shrunuyath Vapi  Bhakthya Parmaya Yutha : | Thasya Sarvam  Susiddham  Syadh  Viniyuktham  Phalam Dhvija ||

 Gangaiva  Varadha Thasya  Bhaveth  Sarvarththa Dhayini | Jaishte  Dhashaharathidhyam  Poojayithva Sadhashivam ||

 Durgothsava  Vidhanena  Vidhina Gamikena Va | Ganga Sahasranamakhyam Sthavamena  Mudhaharath ||

Thasya Samvathsaram  Devi  Gruhe  Bandhaiva Thishtathi | Puthrothsave  Vivahadhau  Shradhdhahe  Janmavasare ||

Padedh Va  Shrunuyadh  Vapi Thaththath Karmakshayam  Bhaveth | Dhanarthi Dhanam  Apnothi  Labedh  Bharyam Abharyaka: ||

Aputhro Labathe  Puthro  Chathurvarnyarththa  Sadhikam | Yugadhyasu  Poornimasu  Ravi Sankramane Thadha ||

Dhinakshaye  Vyatheepathe  Pushyayam  Harivasare | Amavasyasu Survasu Athidhau Cha Samagathe ||

 Shushrushau  Sathi Sathsange  Gavamsthana Gathopi Va |Mandale Bhramananam Cha Padeth Va  Shrunuyath  Sthavam ||

Sthavenanena  Sa Ganga  Maharaje Bhageerathe  | Baboova  Paramapreetha  Thapobhi: Poorvajair  Yadha ||

 Thasmadh  Yo Bhakthibavena  Sthavenanena  Sthauthi Cha | Thasyapi  Thadhrushi  Preetha  Sagaradhi Thapo  Yadha ||

Sthavenanena Santhushta  Devi  Rajje  Varam Dhadhau  ||

Devya Uvacha –

Varam Varaya Bhoopala  Varadhasmi  Thavagatha | Jane Thava  Hridhisthancha  Thadhapi  Vadha  Kadhyathe ||

Raja Uvacha –

Devi Vishno:  Padham Thyakthva  Gathvapi  Vivarasthalam | Uddharaya  Pithrun  Sarvan  Dharamandala Varthmana ||

Askausham Bhavathim Yaccha  Thena Ya:  Skauthi  Manava: | Na  Thyajya:  Syath  Thvaya  Sopi Vara  Yesha  Dhvitheeyaka: ||

 Devi Uvacha –

Yevam Asthu  Maharaja  Kanyasmi  Thava Vishrutha | Bhageerathi  Geyam  Mam Vara  Yeshodhikasthava ||

Mam Sthoshyathi  Jano Yasthu  Thvathkrithyena  Sthavena Hi | Thasyaham  Vashaga  Bhooyam  Nirvana Mukthidha  Nrupa ||

Shiva  Aradhyatham  Rajan Shirasa  Mam Dhathathu  Sa : | Anyadhaham Niralambam Dharam  Bhithvanyadha Vraje ||

Prithvi  Cha Na  Me Vegam  Sahishyathi  Kadhachana | Sumeru Shira  Aruhyam  Shankhadhvanam Karishyasi ||

Thena Thvam  Anuyasyami  Bhramandakodi Bhedhini ||

|| Ithi Bhruhad Dharmapurane  Mandhyagande  Bhageerathakritha  Sri Ganga  Sahasranama Sthothram Sampoornnam ||

|| Jai Sriman Narayana ||

Sri Ganga Sahasranama Sthothram - Bhrihad Dharmapurana – Lyrics and meanings 161 – 171

|| Jai Sriman Narayana ||

Sri Shuka continues “ supreme Goddess Ganga whose watercourse has intense sparkle, she has safe conduct of Bhaskara, she is decked in various precious ornaments, she takes immense pleasure in humming noises, she is vicious, she induce dread in wicked, she is terrifying, she penetrates through the Earth, she is Bhaga, she symbolizes fortune, she is pleasant, she destroys miseries and sorrows of world of Samsara, she is Berunda who is terrifying, she has colossal form, she is easily accessible for the virtuous, she is Bhadrakali who works for the welfare of Universe and its living beings, she is beautiful young woman, she dwells in the heart of virtuous, she provides liberation to the souls, she is Mahamathi/wise, she is the provider of intellect, she destroys pride, she is the source for liberation from  repeated births, she is worshiped by Yama, she symbolizes Yajja/fire sacrifices, she is the Karththa of Yajja/performer of Yajja, she represents Yama, she represents Yamadhanda, she is disposer who is wielded in Yamadhanda, she is the protector, she symbolizes night hours, she is gorgeous, she is Rama and Rathi as well, she has the luster of Lavanga/cloves, she appears as tiny particles, she represents short space of time, her sacred water has the swiftness of darting of an arrow, she is clever, she is supreme Goddess who is the consort of Lord Shiva who had provided highest of the status, she has the complexion of dark blue complexion, she represent daughter of loveliest season/early autumn season, she represents full moon in the month of Karthika, she is the safest haven of her worshiper, she is symbolizes Shruthi, she is approachable through Shruthi, she is eulogized by Shruthi, she has auspicious and radiant face, she provides shelter to the virtuous who are surrendered at her lotus feet, she resembles Shashti, she dwells in the Shadkona, she is Shaddharma who worshiped with sixty ways of offerings/Mudras, she represents Swathik nature, her sacred waters represents truth, she is Lakshmi who is the provider of happiness and wealth, she is youthful companion of Hari, she has ascended down to Earth from the lotus feet of Hari, she has the luster of golden yellow metal, she is the consort of Lord Hari, she is the provider of welfare, she symbolizes prosperity and happiness, her sacred waters originated from glaciers has the sharpness of blade, she is eternal, she is Indira/symbol of splendor, she is divine, she is Uma and Usha as well, she remains colorless, she is Rikswaroopa, she is the provider of auspiciousness and prosperity, she symbolizes Omkara, she is eternal and resembles hollow reed, she has attractive limbs, she is not perceivable through senses, she is wielded in various weapons, she symbolizes all colors, she is Bhramaroopa who  dwells as soul in the living beings .”

Bhaskara Bhaskaradhara  Bhoosha  Bhangaravadhini |Bhayangari  Bhayahara  Bheeshana  Bhoomibedhini ||

Bhaga Bhagyavathi Bhavya  Bhavadhukkanivarini | Bherunda  Bheema Sugama Bhadrakali Bhavasthitha ||

Manorama  Manojja Cha  Mrithamoksha Mahamathi: | Mathidhathri Mathihara  Madastha Moksharoopini ||

Yamapoojya  Yajjaroopa  Yajamana Yamasvasa | Yamadhandaswaroopa Cha Yamadhanda  Hara Yathi: ||

Rakshika Rathriroopa Cha Ramaneeya  Ramarathi: | Lavangi Lesharoopa Cha Leshaneeya  Layapradha ||

Vibuddha  Vishahastha  Cha Vishishta Veshadharini | Shyamaroopa Sharathkanya  Sharadhi Sharanashrutha ||

Shruthigamya Shruthisthuthya Shrimukhi Sharanapradha | Shashti Shadkonanilaya Shaddharma Parasevitha ||

Saththviki  Sathyasarani :  Sanandha  Sugaroopini | Harikanya  Harijala Haridhvarnna  Hareeshwari ||

Kshemangari  Kshemaroopa  Kshuradharambuleshini | Anantha Indhira Esha  Uma Usha  Avarnnika ||

Rigswaroopa  Lyakarastha  Lyakari  Yedhitha  Thadha | Aishwaryadhayini  Omkarakarini  Oumakakarini  ||

Ananthashoonya  Angadhara  Asparsha  Asthradharini | Sarva Varnnamayi Varnna  Bhramaroopa Akhilathmaka ||

|| Jai Sriman Narayana ||

Sri Ganga Sahasranama Sthothram - Bhrihad Dharmapurana – Lyrics and meanings 151 – 160

|| Jai Sriman Narayana ||

Sri Shuka continues “ Supreme Goddess Ganga who is embodied as sacred water has attractive flow which has humming noise, she is eagerly desires the sounds of Dindi/small drum, and large drum as well, she is Dakkari who is desires  the sound of Dakka and she takes immense joy in playing it, she represents the syllable ‘Na’, she has dazzling white complexion, she explores through the sacred lands in palanquin with other two, she destroys the severe sins, she is fierce, she is safest ferry to cross the ocean of Samsara, her sacred waters are cold derived from glaciers and she is matchless, she dwells in the cool rays, she represents the syllable ‘Ya’ and the color ‘Ya’, she is decorated with the particular grass grown in the mountain peaks, she has long beautiful eyes, her water course has stretched up to large distances, she symbolizes wealth, she is the Goddess of wealth, she has long and wide  vision, she resides inaccessible, her sacred water course has incredible swiftness, she has assumed the form of water course who provides shelter to the pious people, she has assumed the form of beautiful young maiden, her attractive eyes has the resemblance to lotus flower, she has assumed the form of water, she is superior Goddess, she is the purifier of souls, she is stainless, she has no specific form, she symbolizes selflessness, she is Para who is beyond perception of senses, she is eulogized by sages and deities, she represents fortnight, she is the supreme object deserved to be eulogized, she is the last resort for the virtuous people who yearns for Moksha, she symbolizes intellect and wisdom, she is worshiped by the intellectuals, she is Para who is unblemished, she symbolizes pieties and she is the provider of devout act to her worshiper, she is decked in marvelous yellow garments, she destroys the miseries and sorrow of her worshiper with the single sound of Humkara/snort, she is the provider of virtuous offspring, she is decorated with the hood of serpents, she is frothy, she bites peaks with her foam, she symbolizes foam and hood, her sacred waters produces yelling noises, she is decked in hoods of serpents, she dwells in the abode of serpents, she has chosen her abode in various places, she represents full blown flower, she has the eyes resembles to fully blown lotus flower, her sacred water  has the resemblance of  long and beautiful curly hair locks, she is strong and powerful, her scared waters has incredible swiftness, she is the bearer of Earth.”

Deena  Dayithri  Dindee Cha Dindeedhvani Sadhaspruha | Dakkarava  Cha Dakkari  Dakkavadhana Bhooshana ||

Nakaravarnna Dhavalanakari Yanabhavani | Thritheeya  Theevrapapaghni Theevra Tharanimandala ||

Thusharaka Thulasya  Cha Thusharakara Vasini | Yakarajji Yavarnnastha  Dhantha Shooka  Vibhooshana ||

Dheergha Chakshur Dheerghadhara  Dhanaroopa Dhaneshwari | Dhooradhrushtir  Dhooragama  Dhrudhaganthri Dhravashraya ||

 Nariroopa  Neerajakshi Neeraroopa  Naroththama | Niranjjana  Cha Nirlepa  Nishkala  Nirahanghriya ||

Para Parayana  Paksha  Parayanaparayana | Parayathri  Panditha  Cha Panda Pandithasevitha ||

Para Pavithra  Punyakhya  Panika  Peethavasini | Phuthkara  Dhoora Dhooritha  Phalayanthi Phanashraya ||

 Phenila  Phenadhashana  Phena Phenavathi Phana | Phethkarini Phanidhara  Phaniloka Nivasini ||

 Phanda  Krithalaya  Phulla  Phullaravindha Lochana | Venidhara  Balavathi Vegavari Dharavaha ||

Vandharuvandhya  Vrindheshi Vanavasha  Vanashraya | Bheemarajji Bheemapathni Bhavasheersha Krithalaya ||

|| Jai Sriman Narayana ||

Sri Ganga Sahasranama Sthothram - Bhrihad Dharmapurana – Lyrics and meanings 141 – 150

|| Jai Sriman Narayana ||

Sri Shuka continues “Supreme Goddess Ganga is decked in Ganda and Dangara, she is Ganga who has swift movements, she has the eyes resembles to Chakora bird, she has loveliest appearance, she is decked in Chamara, she has the luster of moon, she follows customs and internal acquiescence, she resides in the Chandramandala, she has the fragrance of wild flower, her glorious myths are widely discussed, she is smeared in the highly fragrant musk, her hands are protected with shield, she has the face resembles to moon, her large and high raised bosom are attractive, she has the resemblance to black cuckoo/ glossy black and long tailed, she is decorated with Chathra and Chamra, she destroys deceptiveness, she symbolizes Bhramaroopini, she resembles shadow, she represents hollow places, she is invisible to the wicked people, she is Chinnamastha/one of the forms of Durga/decapitated for the annihilation of delusion, she is pure and mischievous, she is attractive, she dwells in the clouds and highest peaks, she has long tongue, she has the luster of Japakusuma, she is unharmed by Jara/process of aging, she is victorious, she has the resemblance to colossal fire, she is swift, she dwells as Prana in the living beings, she has supreme brilliance, she destroys the shackle of repeated births, she lures the heart of Janardhana, she produces the sounds of divine musical instruments of  Jangara, Jjamjja,  and Jjarjjari, she is decked in marvelous anklets that produces tinkling noises, she has ascended as supreme watercourse to Earth from the abode of Lord Bhrama, she represents the syllable Ja, and Da, she is wielded in Danga, and drum, she is fond of the reverberating noises of drumbeats, she is consort of Damarisha who is  wielded in Damaru, she dwells in the matted hair locks of Damaresha,  she is Dakini who dances to the tunes of Damaru and she is dreadful.”

Ganda  Dangaraghaditha  Ghangari  Ghanghacharini | Gnantha  Gnakarini  Gneshi Gnakaravarnna Samshraya ||

 Chakoranayini  Charumukhi Chamaradharini | Chandrika  Shulkasalila Chandramandala Vasini ||

Chaukaravasini  Charchya Chamari  Charmavasini | Charmahastha  Chandramukhi Chuchuka Dhvaya Shobhini ||

Cchathrila  Cchathrithagharishcha  Cchathra  Chamara Shobhitha | Cchathritha  Cchadhma  Samhanthri  Cchurithur  Bhramaroopini ||

Cchaya  Cha Sthalashoonya  Cha Cchalayanthi Cchalanvitha | Cchinnamastha  Cchaladhara  Cchavarnna  Cchuvitha Cchavi: ||

Jeemoothavasini  Jihva  Javakusumasundari | Jarashoonya  Jaya  Jvala  Javinee Jeevaneshwari ||

Jyothiroopa  Janmahara  Janardhana Manohara | Jangararoopini  Janja Jarjjarivadhya Vadhini ||

Jannan Noopura  Samshabdha  Jara Bhramajjara  Vara | Gnakareshi  Gnakarastha  Gnavarnna Madhyanamika ||

Dangarakarini  Dangadharini  Dundukadaka | Dukkurani Dadhvayeshi Dangari Dakkurapriya ||

Damari  Damaradheesha  Damaresha  Shira:sthitha | Damaru Dhvani Nruthyanthi Dakini Bhayaharini ||

|| Jai Sriman Narayana ||

Sri Ganga Sahasranama Sthothram - Bhrihad Dharmapurana – Lyrics and meanings 131 – 140

|| Jai Sriman Narayana ||

Sri Shuka continues “ Supreme Goddess Ganga who freed her worshiper from sins, she is intimidating to people who does not follow chastity,  she is decked in various dreadful ornaments, her sacred waters symbolizes string of pearls, she is unsurpassed, she is worshiped and eulogized by all sacred Theerthas, she represents Mahatheertha/supreme among the sacred Theerthas, she is excellent among the Theerthas, she is youthful, she symbolizes the creepers of Kalpalatha, she takes immense pleasure in amusements, she is auspicious, she dwells in the wish fulfilling Kalpavruksha, she eradicates all the evil effects of Kali , she dwells in the dark woods, she is worshiped by Lord Yama, she has dark complexion, she is Kalika, she is flawless companion for amorous sport, she  fulfills all the desires of her worshiper, she is the cause for Universe and its living beings, she entices the Universe with her gorgeousness, she symbolizes fame, she has the face of Koka/cuckoo, she has beautiful pupil of eyes resemble to antelope, her eyes has the resemblance to myna, she is lustrous, she is Kamakhya, she dwells in the red lotus flower, she symbolizes deluge at the end of Yuga, she has beautiful flow reverberating the sound of musical instrument, her sacred waters has swiftness, she symbolizes the syllable Ga, she is Ganga, she symbolizes heaven, she enthusiastically explore through the celestial abode, she is Garishta/auspicious, she is steadfast, she is personified as young maiden of cowherd who always surrounded by the cattle, she dwells in the sacred land of Vraja, she is desirable and marvelous, she symbolizes preceptor and blue lotus as well, she is Govinda who gives pleasure to senses, she symbolizes cow, her name resembles to cow, she guides us through the path of righteousness, she has attractive flow, she follows strict austerities, she is supreme Goddess of streams, she has chosen  three worlds as her pathway to flow with roaring sound in order to remove the sins and purify the souls, she has great splendor, she is decked in ornaments which makes tinkling sounds, she is most celebrated, she symbolizes glaciers.”

Shapasammochani  Lanka Lankeshi Cha Vibheeshana | Vibheeshanabharanabhoosha  Haravalir  Anuththama ||

Theerthasthutha  Theerthavandhya  Mahatheertha  Cha Theerthasu: | Kanya Kalpalatha  Keli:  Kalyani Kalpavasini ||

Kalikalmasha  Samhanthri  Kalakanana Vasini | Kalasevya  Kalamayi Kalika  Kamukoththama ||

Kamadha  Karanakhya  Cha Kamini  Keerthidharini |  Kokamukhi  Kodarakshi Kuranganayani Kari: ||

 Kanjalakshi Kanthiroopa  Kamakhya  Kesharisthitha | Gaga Galaprana Hara  Galadhoorakara Gala ||

 Gelanthi  Garavega  Cha Gakaravarnna Vasini | Ganga  Gaganaroopa  Cha  Gaganadhva Prasarini ||

Garishta Gananeeya  Cha Gopali Goganasthitha | Gopyashta Vasini Gamya  Gabeera  Gurupushkara ||

Govinda Goswaroopa Gonamni Gathidhayini | Ghoornamana  Gharmmahara  Ghoornasthrothsa Ganopama ||

Ghoornakhya  Dhoshaharini  Ghoornayanthi  Jayaththrayam | Ghora  Ghrithopamajala  Gharghararava  Ghoshini ||

Ghorangho Ghathini Ghuvya  Ghosha  Ghoragha Harini | Ghosharaji Ghoshakanya Ghoshaneeya  Ghanalaya ||

|| Jai Sriman Narayana ||

Sri Ganga Sahasranama Sthothram - Bhrihad Dharmapurana – Lyrics and meanings 121 – 130

|| Jai Sriman Narayana ||

Sri Shuka continues “ Supreme Goddess Ganga whose  sacred waters has soothing effect, that  elevates the souls to the abode of heaven, she provides liberty to the souls the moment they see her mirror like sacred waters, she provides mental as well as physical well being, her sacred waters are capable to eradicate mental as well as physical afflictions, she undergoes strict austerities, she is supreme ascetic,  she removes weariness, she eradicates all kinds of sorrows and miseries, she removes distress in her worshiper, she removes all kinds of displeasure, she provides all kinds of happiness, she gives immense pleasure of veneration, she gives deep satisfaction of the act of expiation, dwelling on the sacred banks of river Ganga is equivalent to Mahathapa/severe austerities, her sacred waters has human as well inhuman form, she is delicate, she has assumed the form of sacred water, she burns all kinds of perils with blazing fire, she provides coolness and she is decked in cool rays of moon, she is deserved to be eulogized, worshiped, meditate and envision and she is worthy to be remembered always,  she symbolizes Chidanandharoopa and  Gnanaroopa ,  she merrily explores through the sacred lands, she is primordial worshiped with mystical procedures/Agama, and she symbolizes all Agamas, she is observed with various Agamas, she is cherished by ardent devotees, she is Mahadevi, she is worshiped by all the deities, she dwells as Prana in all living beings, she is self-restraint who follows Gruhasthashrama, she is auspicious, she has assumed the form of preceptor, she submissive to Shankara, she is eulogized by Shankara, she is decked in various auspicious ornaments, she adorns Shankara, she represents auspicious disciplines and austerities, she is Shankararoopini, she is Shivasrotha/auspicious water course, she is benevolent, she is Gauri, she is embodied as sky, she is not easily attainable and easily approachable too, she is highly confidential, she is mysterious took the form of young maiden of cowherd, she is the darling of Gopa, she is Gomathi, she is attractive young maiden of cowherd, she is the delight of Yasodhanandhan, she has personified as Mahamaya/sister of Krishna who caused the destruction of Kamsa, she freed her worshiper from the clutches of Bhramarakshass.”

Swargadhathri  Sugasparsha  Moksha Dharshanadharpana | Arogyadhayini  Neeruk Nanathapa  Vinashini ||

Thapothsaranasheela  Cha Thapodhana  Shramapaha | Sarvadhukka  Prashamani  Sarvashoka Vimochini ||

Sarvashramahara  Sarvasugadha  Sugasevitha | Sarva Prayashchiththamayi Vasamathra Mahathapa: ||

Sathanur Nisthanus Thanvi  Thanudharana Varini |  Mahapathaka Dhavagni: Sheethala  Shashadharini ||

Geyajapya  Chinthaneeya Dhyeya Smarana Lakshitha |Chidanandhaswaroopa Cha  Gnanaroopa Gameshwari ||

Agamya Agamastha  Cha Sarvagama  Niroopitha | Ishtadevi  Mahadevi  Devaneeya  Dhivisthitha ||

Dhanthivala Gruhasthathri Shankaracharya  Roopini | Shankaracharya Pranatha  Shankaracharya Samsthutha ||

Shankarabharanopetha  Sadha Shankarabhooshana | Shankaracharasheela  Cha Shankha  Cha Shankareshwari ||

Shivasthothra: Shambhumukhi  Gauri  Gaganadhehini |Dhurgama  Sugama  Gopya Gopani Gopavallabha ||

Gomathi Gopakanya Cha Yasodhanandhanandhini | Krishnanuja  Kamsahanthri  Bhramarakshasa Mochini ||

|| Jai Sriman Narayana ||

Sri Ganga Sahasranama Sthothram - Bhrihad Dharmapurana – Lyrics and meanings 111 – 120

|| Jai Sriman Narayana ||

Sri Shuka continues “ Supreme Goddess Ganga is dispassionate, she has the odor of Raga, she symbolizes all Ragas and Thala, she is Thalakeshwari who represents Thala/rhythm, she symbolizes the sacred hymns of Maharishi Valmiki, she has numerous glorious myths, she is Mother,  she is Uma and Sapthni/her consort has another wife too, she is Dhara, her sacred water course represents string of pearls, she is pure, she has descended down to Earth from celestial abode, she is Bhageerathi who is highly revered has striking flow, she has uninterrupted flow of Amrithajala/nectar like water in the celestial abode, she has stunning waves, she dwells in the vessel of Bhrama and represents sacred water for oblation of Bhrama, she penetrates through the highest peaks, she is capable to penetrate through the Bhramanda, she has dreadful voice and she is most venerable, she dwells in the Bhramanda, she penetrates through air, her sacred water are  white in color, she attentively listens to the sounds of divine instruments and Conch, she is eulogized by Rishis and Suras, she is worshiped by the heavenly planets, she dwells in highest peak of Mount Sumeru, she symbolizes auspiciousness, she is Sita and Maheshwari as well, she represents Alakanandha tributary of Ganga, she acts as stairs to Shaila, she has descended down to Earth in order to fulfill all the desires of the virtuous souls and purify them, she purifies the three worlds, she is Dhanya/pleasant, she has descended down to protect Earth, she is Dharani/Bhudevi, she symbolizes Lakshmi/born from  Earth, she is embodied as Earth, she is eulogized by Prithu, she is infallible,  she is Bhramaputhri/daughter of Bhrama, she is young maiden in the celestial abode of Bhrama, she is honored by Bhrama, she dwells in the woods, she represents the female force of  Bhrama, Vishnu, and Shiva, she has the luster of precious yellow metal, she is opulent female force of Bhrama, Vishnu and Shiva, she has possessed the magnificence of Bhrama, Vishnu and Shiva, she elevate the souls from repeated births, she freed her worshiper from the clutches of material and worldly bondage.”

Viraga Ragasammodha  Sarvaraga Swaroopini | Thalaswaroopini  Thalaroopini  Thalakeshwari ||

Valmiki Shlokithashtodhya Hyanantha Mahimadhidha | Matha Uma Sapthni Cha Dhara  Haravali Shuchi: ||

Swargaroha Pathaka Cha Ishta  Bhageerathi Ila | Swargabheeramritha Jala Charuveechistharangini ||

Bhramatheera Bhramajala  Giridharana Karini | Bhramandabhedhini Ghoranadhini Ghoravegini ||

Bhramandavasini  Chaiva Sthiravayu Prabhedhini | Shukladharamayi Dhivyashankha  Vadhyanusarini ||

Rishisthutha  Surasthuthya Grahavarga Prapoojitha | Sumeru Sheershanilaya Bhadhra Seetha Maheshwari ||

Vangkshusccha  Alakanandha  Cha Shaila Sopanacharini | Lokesha  Pooranakari Sarvamanasa  Dhohini ||

Thrailokhya Pavani Dhanya Prithvi Rakshanakarani | Dharani Parthivi Prithvi Prithu Keerthir Niramaya ||

Bhramaputhri  Bhramakanya  Bhramamanya  Vanashraya | Bhramaroopa  Vishnuroopa  Shivaroopa  Hiranmayi ||

Bhrama Vishnu Shivathvadya  Bhrama Vishnu Shivathvadha | Majjajjanodharini  Cha Smaranarththi Vinashini ||

|| Jai Sriman Narayana ||

Sri Ganga Sahasranama Sthothram - Bhrihad Dharmapurana – Lyrics and meanings 101 – 110

|| Jai Sriman Narayana ||

Sri Shuka continues “ Supreme Goddess Ganga is streaming on  westwards, prior she has watercourse on south and north as well, she has extended up to the length of one and half Yojana, she is pure, she has descended down to earth for the elevation of soul from distress, she pardons the fault of her worshiper, she is faultless, she is the safe haven for her worshiper, she provides shelter to the pious, she symbolizes wealth, her sacred waters are highly propitious for the performance of Shraddha/final rite of ancestors, she represents Svaha and Svatha, she is Viroopakshi/curved eyes, she has beautiful eyes, she is the provider of auspiciousness to her worshiper, she has the luster of water lily and moonshine, she is Kumudha/form of Durga/white water lily, she is decked in various fresh alluring flowers, she is Saumya/pleasant, she is Bhavani, she dwells as Prana in the living creatures and she resides in the essential elements too, she has colossal form, she has attractive face,  she has the color of clouds, she is mightiest, she has lovely waist line, she is Balahaka/cloud that appears at the time of deluge, her long and beautiful hair is decorated with ornaments, she dwells is Nabhomandalam, she is Mallika, she has the luster of flowers of Mallika, she is decked in crescent moon, she has the fragrances of sacred Thulasi leaves, she adorn Thulasidhama as a ornament, she dwells in the shrubs of Thulasi, and she has the aroma of Thulasi,  she has the internal acquiescence of juices of Thulasi, she dwells in the sacred bale tree, she has the appearance of  juice of Bilva leves/Bilvapathrarasa, she is decked in the leaves of Maloora, she is Vailvi who has acquired half of the body of her consort Lord Shiva, she is unharmed by sorrows, she is unruffled by sorrows and miseries, she resembles to flame that burns the miseries and sorrows of her worshiper, she dwells in the Ashokavruksha, she is celestial Ramabha, she is the consort of Lord Shiva, she represents pomegranate tree, she has the luster of flowers of pomegranate, her large high raised bosom resembles the fruit of pomegranate, her eyes are crimson colored, she represents Veeravriksha, she is Rakthini who has fierce teeth soaked in blood, she is Ragini/modification of musical note, she symbolizes consort of Raga, she is abandoned by Ragadvesha.”

Pashchimasya Mahasthrotha  Poorva Dhakshina Vahini | Sarddha Yojana Vistheernna  Pavana Uththara Vahini ||

 Pathithodhdharini  Dhosha  Kshamini Dhoshavarjjitha | Sharanya Sharana  Shreshta  Sriyutha Shraddha Devatha ||

 Swaha Swadha  Viroopakshi Swaroopakshi Shubhanana | Kaumudhi  Kumudhakara  Kumudhambara  Bhooshana ||

Saumya Bhavani Bhoothistha  Bheemaroopa  Varanana | Varahavarnna  Bahirshta  Bhruhacchroni Balahaka ||

Veshini Keshapashadya  Nabhomandala Vasini | Mallika  Mallikapushpavarnna  Langala Dharini ||

Thulasidhala Gandhadya  Thulasidhama Bhooshana | Thulasitharu Samstha  Cha Thulasirasa Gehini ||

Thulasirasa Suswadhu Salila  Bilvavasini | Vilvavruksha  Nivasa Cha  Vilvapathra  Rasadhrava ||

Maloorapathramaladya Vailvi  Shaivardhdha  Dhehini | Ashoka  Shokarahitha  Shoka  Dhavagni Hrujjvala ||

Ashokavrukshanilaya  Rambha Shivakarasthitha | Dhadimi  Dhadimeevarnna Dhadimasthana  Shobhitha ||

Rakthakshi Veeravrukshastha  Rakthini  Rakthadhanthika | Ragini  Ragabharya  Cha Sadharaga  Vivarjitha ||

|| Jai Sriman Narayana ||